Aratu music written to play, and to change while it plays

Dynamics and articulation

▶ Open in Aratu to hear the examples, change them and do the exercises

Dynamic marks are the score's: ppp pp p mp mf f ff fff, and also sfz and fp. Inside a bar, a mark sits on its note with a colon, and holds from there on:

tempo: 90
melody = | p:c4 e g c5 | f:g4 _ _ _ |

The first bar is piano; the second, forte. The mark does not count as a beat, and it may have a space after the colon: p: c4 works too. In f: f4 the first f is forte and the second is the note F.

Crescendo and diminuendo

< after a note makes a crescendo and > a diminuendo, from the next beat to the next mark:

tempo: 90
melody = | p:c4< d e f | f:g4> f e d | p:c4 _ _ _ |

With no mark after it, a hairpin moves one step (from mf to f, say) by the end of the line.

Articulation: accent, marcato, staccato and ghost note

Articulation says how each note is attacked. There are four signs, from the strongest to the weakest:

Sign Written How it sounds
marcato S!, c4! the strongest, very marked
accent S, C4 louder than its neighbours
staccato s', c4' short, detached
ghost note (s), (c4) almost silent, felt more than heard

An accent adds to the dynamic the music is at, and a marcato adds even more. Ghost notes are the spice of funk and samba on the snare: very light strokes between the strong hits.

tempo: 96
drums {
  hh = cc cc cc cc
  bd = b - b b
  sd = (s)(s) S! (s)(s) S!
}

Take the parentheses off the ghost notes and hear how heavy the snare gets. The parentheses push those strokes into the background.

Ornaments: trill, mordent and grace note

Ornaments decorate a note with its neighbour in the key. They go after the note, with a colon, like the chords' :arp:

Ornament Written How it sounds
trill c5:tr the note and the one above, quickly in turn, for its whole length
mordent c5:mord the note, the one above and the note again, very fast, at its start
lower mordent c5:mordi the same, with the one below
grace note `d5 c5 a small note, right before the main one

The neighbour is the key's: in G major, the trill on a4 goes to b4, and the one on e5 to f#5. To change it, put # or b after the tr, like the accidental over a score's tr: e5:trb trills with F natural.

tempo: 80
key: G major
melody = | g4 b4 `c5 d5 _ | d5:mord c5 b4 a4 | a4:tr _ _ _ | g4 _ _ _ |

A grace note takes no beat: it sounds an instant before the main note. On a drum, the backtick does the same with the drum itself: `s is a flam, a light stroke just before, and ``s is a drag, two:

tempo: 90
drums {
  hh = cc cc cc cc
  bd = b - b -
  sd = - `S - ``S
}

Take the backticks off and hear the dry snare; with them, each hit is dragged into.

Changing a whole part

One line takes a whole part to a dynamic, whatever is written in it:

melody = | c4 e g e |
melody: pp

Try melody: ff, or melody: cresc to ff over 4 bars: a four-bar crescendo that starts from what is written and reaches ff.

Exercises

The first bar piano, the second forte.

melody = | c4 d e f | g f e d |
See an answer
melody = | p:c4 d e f | f:g4 f e d |

Start at p and make a crescendo to f in the next bar.

melody = | p:c4 d e f | f:g4 _ _ _ |
See an answer
melody = | p:c4< d e f | f:g4 _ _ _ |

On the snare, beats 2 and 4 marcato, with ghost notes on the eighths in between: (s) on the second half of beats 1 and 3.

sd = s- s s- s
See an answer
sd = -(s) s! -(s) s!

Decorate the melody: a mordent on the first e5 and a trill on the last.

tempo: 80
melody = | e5 d5 c5 d5 | e5 _ _ _ |
See an answer
tempo: 80
melody = | e5:mord d5 c5 d5 | e5:tr _ _ _ |

A grace note d5 before each c5.

melody = | c5 g4 c5 g4 |
See an answer
melody = | `d5 c5 g4 `d5 c5 g4 |

On the snare, a flam on beat 2 and a drag on beat 4.

sd = - s - s
See an answer
sd = - `s - ``s