Dynamics and articulation
▶ Open in Aratu to hear the examples, change them and do the exercises
Dynamic marks are the score's: ppp pp p mp mf f ff fff, and also sfz
and fp. Inside a bar, a mark sits on its note with a colon, and holds
from there on:
tempo: 90
melody = | p:c4 e g c5 | f:g4 _ _ _ |The first bar is piano; the second, forte. The mark does not count as a
beat, and it may have a space after the colon: p: c4 works too. In
f: f4 the first f is forte and the second is the note F.
Crescendo and diminuendo
< after a note makes a crescendo and > a diminuendo, from the next
beat to the next mark:
tempo: 90
melody = | p:c4< d e f | f:g4> f e d | p:c4 _ _ _ |With no mark after it, a hairpin moves one step (from mf to f, say) by the end of the line.
Articulation: accent, marcato, staccato and ghost note
Articulation says how each note is attacked. There are four signs, from the strongest to the weakest:
| Sign | Written | How it sounds |
|---|---|---|
| marcato | S!, c4! |
the strongest, very marked |
| accent | S, C4 |
louder than its neighbours |
| staccato | s', c4' |
short, detached |
| ghost note | (s), (c4) |
almost silent, felt more than heard |
An accent adds to the dynamic the music is at, and a marcato adds even more. Ghost notes are the spice of funk and samba on the snare: very light strokes between the strong hits.
tempo: 96
drums {
hh = cc cc cc cc
bd = b - b b
sd = (s)(s) S! (s)(s) S!
}Take the parentheses off the ghost notes and hear how heavy the snare gets. The parentheses push those strokes into the background.
Ornaments: trill, mordent and grace note
Ornaments decorate a note with its neighbour in the key. They go after the
note, with a colon, like the chords' :arp:
| Ornament | Written | How it sounds |
|---|---|---|
| trill | c5:tr |
the note and the one above, quickly in turn, for its whole length |
| mordent | c5:mord |
the note, the one above and the note again, very fast, at its start |
| lower mordent | c5:mordi |
the same, with the one below |
| grace note | `d5 c5 |
a small note, right before the main one |
The neighbour is the key's: in G major, the trill on a4 goes to b4, and
the one on e5 to f#5. To change it, put # or b after the tr, like
the accidental over a score's tr: e5:trb trills with F natural.
tempo: 80
key: G major
melody = | g4 b4 `c5 d5 _ | d5:mord c5 b4 a4 | a4:tr _ _ _ | g4 _ _ _ |A grace note takes no beat: it sounds an instant before the main note. On
a drum, the backtick does the same with the drum itself: `s is a
flam, a light stroke just before, and ``s is a drag, two:
tempo: 90
drums {
hh = cc cc cc cc
bd = b - b -
sd = - `S - ``S
}Take the backticks off and hear the dry snare; with them, each hit is dragged into.
Changing a whole part
One line takes a whole part to a dynamic, whatever is written in it:
melody = | c4 e g e |
melody: ppTry melody: ff, or melody: cresc to ff over 4 bars: a four-bar
crescendo that starts from what is written and reaches ff.
Exercises
The first bar piano, the second forte.
melody = | c4 d e f | g f e d |See an answer
melody = | p:c4 d e f | f:g4 f e d |Start at p and make a crescendo to f in the next bar.
melody = | p:c4 d e f | f:g4 _ _ _ |See an answer
melody = | p:c4< d e f | f:g4 _ _ _ |On the snare, beats 2 and 4 marcato, with ghost notes on the eighths in
between: (s) on the second half of beats 1 and 3.
sd = s- s s- sSee an answer
sd = -(s) s! -(s) s!Decorate the melody: a mordent on the first e5 and a trill on the last.
tempo: 80
melody = | e5 d5 c5 d5 | e5 _ _ _ |See an answer
tempo: 80
melody = | e5:mord d5 c5 d5 | e5:tr _ _ _ |A grace note d5 before each c5.
melody = | c5 g4 c5 g4 |See an answer
melody = | `d5 c5 g4 `d5 c5 g4 |On the snare, a flam on beat 2 and a drag on beat 4.
sd = - s - sSee an answer
sd = - `s - ``s